This just in: Filming with a piece of equipment that is more technologically advanced than a cardboard box yields positive results. There are things that you can capture with the potent cocktail of 16mm film and slow motion that you just don’t get with anything else, like how much wet, tacky dirt looks like poop when it is being tilled. That was my main takeaway from this video. And the artistic value of good whips. But mostly the poop thing.
And who gave Michael J. Fox the camera for the live motion shots?